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Architecture is the art and science of designing buildings and other physical structures.

A wider definition often includes the design of the total built environment from the macrolevel of town planning, urban design, and landscape architecture to the microlevel of construction details and, sometimes, furniture.

The term "Architecture" is also used for the profession of providing architectural services.

We've selected 9 documents for your reading pleasure. These documents are all available on one CD! It's designed to be easily navigate and use the PDF file documents. This is a fantastic digital library for any architectural student or professional.

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CRAFTSMAN STYLE BUNGALOWS FIVE CLASSIC 1907 FLOORPLANS

If you are a lover of the craftsman style of home building, you will find this book very much to your liking.

This document actually covers 6 unique craftsman style bungalow floorplans and were designed by various architects,including Mr. George, D. Rand. What a treat to look at these beautiful sketches, read the text and see the photos of some of these amazing designs.

If you are intending to build a home of your own or if you just love the style of these homes, this is the document for you.

This is a perfect document for the architect or builder to review, these designs are timeless and classic.

The Stickley fan will find the designs to be true to his Craftsman style, yet unique in their own right. The first bungalow was designed by Mr. George, D. Rand, Architect, then bungalow #2 - A House Of Harmonies, plus floorplans for 4 Country Houses - The Victor Cottage (2 story house), The Besant Cottage, The Hamlyn Cottage, The Knothe Bungalow.

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Bungalow #1
Designed by Mr. George, D. Rand, Architect

First Floor, Second Floor & Roof Floorplan Drawing
Front Elevation Drawing
Side Elevation Drawing

Bungalow #2
A House Of Harmonies

First Floor Plan
Second Floor Plan
Third Floor Plan

4 Country Houses

The Victor Cottage (2 story house)

The Besant Cottage

The Hamlyn Cottage

The Knothe Bungalow

 


 

THE ART OF INTERIOR DESIGN & DECORATION - INSTRUCTION

If you would have your rooms interesting as well as beautiful, make them say something, give them a spinal column by keeping all ornamentation subservient to line. Before you buy anything, try to imagine how you want each room to look when completed; get the picture well in your mind, as a painter would; think out the main features, for the details all depend upon these and will quickly suggest themselves. This is, in the long run, the quickest and the most economical method of furnishing.

There is a theory that no room can be created all at once, that it must grow gradually. In a sense this is a fact, so far as it refers to the amateur. The professional is always occupied with creating and recreating rooms and can instantly summon to mind complete schemes of decoration. The amateur can also learn to mentally furnish rooms. It is a fascinating pastime when one gets the knack of it.

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FOREWORD

ILLUSTRATIONS


CHAPTER I - HOW TO REARRANGE A ROOM

Method of procedure. Inherited eyesores. Line. Colour. Treatment of small rooms and suites. Old ceilings. Old floors. To paint brass bedsteads. Hangings. Owning two or three antique pieces of furniture, how proceed. Appropriateness to setting. How to give your home a personal quality.

CHAPTER II - HOW TO CREATE A ROOM

Mere comfort. Period rooms. Starting a collection of antique furniture. Reproductions. Painted furniture. Order of procedure in creating a room. How to decide upon colour scheme. Study values. Period ballroom. A distinguished room. Each room a stage "set." Background. Flowers as decoration. Placing ornaments. Tapestry. Tendency to antique tempered by vivid Bakst colours.

CHAPTER III - HOW TO DETERMINE CHARACTER OF HANGINGS AND FURNITURE-COVERING FOR A GIVEN ROOM

Silk, velvet, corduroy, rep, leather, use of antique silks, chintz. When and how used.

CHAPTER IV - THE STORY OF TEXTILES

Materials woven by hand and machine, embroidered, or the combination of the two known as Tapestry. Painted tapestry. Art fostered by the Church. Decorated walls and ceilings, 13th century, England.

CHAPTER V - CANDLESTICKS, LAMPS, FIXTURES FOR GAS AND ELECTRICITY, AND SHADES

Fixtures, as well as mantelpiece, must follow architect's scheme. Plan wall space for furniture. Shades for lights. Important as to line and colour.

CHAPTER VI - WINDOW SHADES AND AWNINGS

Coloured gauze sash-curtains. Window shades of glazed linen, with design in colours. Striped canvas awnings.

CHAPTER VII - TREATMENT OF PICTURES AND PICTURE FRAMES

Selecting pictures. Pictures as pure decoration. "Staring" a picture. Restraint necessary in hanging pictures. Hanging miniatures.

CHAPTER VIII - TREATMENT OF PIANO CASES

Where interest centres abound piano. Where piano is part of ensemble.

CHAPTER IX - TREATMENT OF DINING-ROOM BUFFETS AND DRESSING-TABLES

Articles placed upon them.

CHAPTER X - TREATMENT OF WORK TABLES, BIRD CAGES, DOG BASKETS, AND FISH GLOBES

Value as colour notes.

CHAPTER XI - TREATMENT OF FIREPLACES

Proportions, tiles, andirons, grates.

CHAPTER XII - TREATMENT OF BATHROOMS

A man's bathroom. A woman's bathroom. Bathroom fixtures. Bathroom glassware.

CHAPTER XIII - PERIOD ROOMS

Chiselling of metals. Ormoulu. Chippendale. Colonial. Victorian. The art of furniture making. How to hang a mirror. Appropriate furniture. A home must have human quality, a personal note. Mrs. John L. Gardner's Italian Palace in Boston. The study of colour schemes. Tapestries. A narrow hall.

CHAPTER XIV - PERIODS IN FURNITURE

The story of the evolution of periods. Assyria. Egypt. Greece. Rome. France. England. America. Epoch-making styles.

CHAPTER XV - CONTINUATION OF PERIODS IN FURNITURE

Greece. Rome. Byzantium. Dark Ages. Middle Ages. Gothic. Moorish. Spanish. Anglo-Saxon. Cćsar's Table. Charlemagne's Chair. Venice.

CHAPTER XVI - THE GOTHIC PERIOD

Interior decoration of Feudal Castle. Tapestry. Hallmarks of Gothic oak carving.

CHAPTER XVII - THE RENAISSANCE

Italy. The Medici. Great architects, painters, designers, and workers in metals. Marvellous pottery. Furniture inlaying. Hallmarks of Renaissance. Oak carving. Metal work. Renaissance in Germany and Spain.

CHAPTER XVIII - FRENCH FURNITURE

Renaissance of classic period. Francis I, Henry II, and the Louis. Architecture, mural decoration, tapestry, furniture, wrought metals, ormoulu, silks, velvets, porcelains.

CHAPTER XIX - THE PERIODS OF THE THREE LOUIS

How to distinguish them. Louis XIV. Louis XV. Louis XVI. Outline. Decoration. Colouring. Mural Decoration. Tapestry.

CHAPTER XX - CHARTS SHOWING HISTORICAL EVOLUTION OF FURNITURE

French and English.

CHAPTER XXI - THE MAHOGANY PERIOD

Chippendale. Heppelwhite. Sheraton. The Adam Brothers. Characteristics of these and the preceding English periods; Gothic, Elizabethan, Jacobean, William and Mary, Queen Anne. William Morris. Pre-Raphaelites.

CHAPTER XXIII - THE COLONIAL PERIOD

Furniture. Landscape paper. The story of the evolution of wall decoration.

CHAPTER XXII - THE REVIVAL OF DIRECTOIRE AND EMPIRE FURNITURE

Shown in modern painted furniture.

CHAPTER XXIV - THE VICTORIAN PERIOD

Architecture and interior decoration become unrelated. Machine-made furniture. Victorian cross-stitch, beadwork, wax and linen flowers. Bristol glass. Value to-day as notes of variety.

CHAPTER XXV - PAINTED FURNITURE

Including "mission" furniture. Treatment of an unplastered cottage. Furniture, colour-scheme.

CHAPTER XXVI - TREATMENT OF AN INEXPENSIVE BEDROOM

Factory furniture. Chintz. The cheapest mirrors. Floors. Walls. Pictures. Treatment of old floors.

CHAPTER XXVII - TREATMENT OF A GUEST ROOM

Where economy is not a matter of importance. Panelled walls. Louis XV painted furniture. Taffeta curtains and bed-cover. Chintz chair-covers. Cream net sash-curtains. Figured linen window-shades.

CHAPTER XXVIII - A MODERN HOUSE IN WHICH GENUINE JACOBEAN FURNITURE Is APPROPRIATELY SET

Traditional colour-scheme of crimson and gold.

CHAPTER XXIX - UNCONVENTIONAL BREAKFAST-ROOMS AND SPORTS BALCONIES

Porch-rooms. Appropriate furnishings. Colour schemes.

CHAPTER XXX - SUN-ROOMS

Colour schemes according to climate and season. A small, cheap, summer house converted into one of some pretentions by altering vital details.

CHAPTER XXXI - TREATMENT OF A WOMAN'S DRESSING-ROOM

Solving problems of the toilet. Shoe cabinets. Jewel cabinets. Dressing tables.

CHAPTER XXXII - THE TREATMENT OF CLOSETS

Variety of closets. Colour scheme. Chintz covered boxes.

CHAPTER XXXIII - TREATMENT OF A NARROW HALL

Furniture. Device for breaking length of hall.


CHAPTER XXXIV - TREATMENT OF A VERY SHADED LIVING-ROOM

In a warm climate. In a cool climate. Warm and cold colours.

CHAPTER XXXV SERVANTS' ROOMS

Practical and suitable attractiveness.

CHAPTER XXXVI - TABLE DECORATION

Appropriateness the keynote. Tableware. Linen, lace, and flowers. Japanese simplicity. Background.

CHAPTER XXXVII - WHAT TO AVOID IN INTERIOR DECORATION: RULES FOR BEGINNERS

Appropriateness. Intelligent elimination. Furnishings. Colour scheme. Small suites. Background. Placing rugs and hangings. Treatment of long wall-space. Men's rooms. Table decoration. Tea table. How to train the taste, eye, and judgment.

CHAPTER XXXVIII - FADS IN COLLECTING

A panier fleuri collection. A typical experience in collecting. A "find" in an obscure American junk-shop. Getting on the track of some Italian pottery. Collections used as decoration. A "find" in Spain.

CHAPTER XXXIX - WEDGWOOD POTTERY, OLD AND MODERN

The history of Wedgwood. Josiah Wedgwood, the founder.

CHAPTER XL - ITALIAN POTTERY

Statuettes.

CHAPTER XLI - VENETIAN GLASS, OLD AND MODERN

Murano Museum collection. Table-gardens in Venetian glass.

IN CONCLUSION

Four Fundamental Principles of Interior Decoration Re-stated.

INDEX

ILLUSTRATIONS

PLATE I Portion of a Drawing-room, Perfect in Composition and Detail.

PLATE II Bedroom in Country House. Modern Painted Furniture.

PLATE III Suggestion for Treatment of a Very Small Bedroom.

PLATE IV A Man's Office in Wall Street.

PLATE V A Corner of the Same Office.

PLATE VI Another View of the Same Office.

PLATE VII Corner of a Room, Showing Painted Furniture, Antique and Modern.

PLATE VIII Example of a Perfect Mantel, Ornaments and Mirror.

PLATE IX Dining-room in Country House, Showing Modern Painted Furniture.

PLATE X Dining-room Furniture, Italian Renaissance, Antique.

PLATE XI Corner of Dining-room in New York Apartment, Showing Section of Italian Refectory Table and Italian Chairs, both Antique and Renaissance in Style.

PLATE XII An Italian Louis XVI Salon in a New York Apartment.

PLATE XIII Another Side of the Same Italian Louis XVI Salon.

PLATE XIV A Narrow Hall Where Effect of Width is Attained by Use of Tapestry with Vista.

PLATE XV Venetian Glass, Antique and Modern.

PLATE XVI Corner of a Room in a Small Empire Suite.

PLATE XVII An Example of Perfect Balance and Beauty in Mantel Arrangement.

PLATE XVIII Corner of a Drawing-room, Furniture Showing Directoire Influence.

PLATE XIX Entrance Hall in New York Duplex Apartment. Italian Furniture.

PLATE XX Combination of Studio and Living-room in New York Duplex Apartment.

PLATE XXI Part of a Victorian Parlour in One of the Few Remaining New York Victorian Mansions.

PLATE XXII Two Styles of Day-beds, Modern Painted.

PLATE XXIII Boudoir in New York Apartment. Painted Furniture, Antique and Reproductions.

PLATE XXIV Example of Lack of Balance in Mantel Arrangement.

PLATE XXV Treatment of Ground Lying Between House and Much Travelled Country Road.

PLATE XXVI An Extension Roof in New York Converted into a Balcony.

PLATE XXVII A Common-place Barn Made Interesting.

PLATE XXVIII Narrow Entrance Hall of a New York Antique Shop.

PLATE XXIX Example of a Charming Hall Spoiled by Too Pronounced a Rug.

PLATE XXX A Man's Library.

PLATE XXXI A Collection of Empire Furniture, Ornaments, and China.

PLATE XXXII Italian Reproductions in Pottery After Classic Models.

 

 

SOUTHERN GENTLEMENS PLANTATION - 3 BEAUTIFUL FLOORPLANS

The lover of Southern Country life who looks upon a plantation home in the true spirit of it's history is, no doubt, struck by their grace & style. As the saying goes, "they just don't make 'em like that anymore". But, the legacy of the American plantation dweller lives on in these rare 1852 farmhouse plans.

The plans and directions in this work are intended to be of the most practical kind; beautiful, substantial, and applicable, throughout, to the purposes intended, and such as are within the reach—each in their kind—of every farmer in our country. These plans are chiefly original; created in 1852 or before, they are not copied from any in the books, or from any structures with which the writer is familiar.

GENTLEMENS FARM HOUSE

We here present a dwelling of a more ambitious and pretending character than any one which we have, as yet, described, and calculated for a large and wealthy farmer, who indulges in the elegances of country life, dispenses a liberal hospitality, and is every way a country gentleman, such as all our farmers of ample means should be.

It will answer the demands of the retired man of business as well; and is, perhaps, as full in its various accommodation as an American farm or country house may require. It claims no distinct style of architecture, but is a composition agreeable in effect, and appropriate to almost any part of the country, and its climate. Its site may be on either hill or plain—with a view extensive, or restricted.

The floorplan details grounds plans including a 20' x 20' carriage house, a 20' x 18' grainery & several other structures from 8-20' x 8-20', A 20' x 16' dining room, 20' x 20' parlor, 16' x 18' bedroom, 16' x 18' bedroom, six additional bedrooms, 16' x 16', 20' x 12', 20' x 17', 16' x 18', 20' x 18', 16' x 18'.

A SOUTHERN PLANTATION HOUSE DESIGN

The proprietor of a plantation in the South, or South-west, requires altogether a different kind of residence from the farmer of the Northern, or Middle States. He resides in the midst of his own principality, surrounded by a retinue of dependents and laborers, who dwell distant and apart from his own immediate family, although composing a community requiring his daily care and superintendence for a great share of his time. A portion of them are the attachés of his household, yet so disconnected in their domestic relations, as to require a separate accommodation, and yet be in immediate contiguity with it, and of course, an arrangement of living widely different from those who mingle in the same circle, and partake at the same board.

The usual plan of house-building at the South, we are aware, is to have detached servants' rooms, and offices, and a space of some yards of uncovered way intervene between the family rooms of the chief dwelling and its immediate dependents. Such arrangement, however, we consider both unnecessary and inconvenient; and we have devised a plan of household accommodation which will bring the family of the planter himself, and their servants, although under different roofs, into convenient proximity with each other. A design of this kind is here given.

The floorplans detail grounds plans which include a 20' x 16' washroom, a 22' x 18' kitchen, 10' x 6' bath, two 12' x 9' storage rooms, 17' x 17' dining room, 13' x 16' bedroom, 17' x 17' living room, 23' x 19 parlor, six additional bedrooms 15' x 17', 10' x 17', 15' x 17', 15' x 12', 16' x 10', 22' x 19' and a 20' x 24' carriage house with additional space for horses, etc.

A PLANTATION HOUSE DESIGN

Another southern house is here presented, quite different in architectural design from the last, plain, unpretending, less ornate in its finish, as well as less expensive in construction. It may occupy a different site, in a hilly, wooded country of rougher surface, but equally becoming it, as the other would more fitly grace the level prairie, or spreading plain in the more showy luxury of its character.

The floorplans detail a grounds plan with amazing building spaces such as a 12' x 10' office, a 10' x 10' store room, an 8' x 10' closet, a 20' x 16' kitchen, a 14' x 14' washroom, a 6' x 9' bath, 18' x 16' dining room, 18' x 15' nursery, 22' x 18' parlor, 18' x 18' living room, five additional bedrooms 18' x 16', 19' x 18', 18' x 14', 18' x 12', 18' x 16'.

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CRAFTSMAN STYLE HOMES DESIGNS OF GUSTAV STICKLEY

 

Gustav Stickley was a furniture maker and architect.

He Was the leading spokesperson for the American Craftsman movement a descendent of the British Arts and Crafts movement.

Stickley's Design Philosophies:

  • A house should be constructed in harmony with its landscape, with special attention paid to selecting & using local materials in construction.

  • An open floor plan encourages family interaction and eliminates unnecessary barriers.

  • Built-in bookcases and benches are practical and ensure that the house will not be completely reliant on furniture from outside.

  • Exposed structural elements, light fixtures, and hardware are all considered to be decorative.

  • Artificial light should be kept to a minimum, so large groupings of windows are necessary to bring in light.

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"The Simplification of Life:"
A chapter from Edward Carpenter's book called "England's ideal"

"The Art of Building a Home":
by Barry Parker and Raymond Unwin

A craftsman house founded on the California mission style

An old-fashioned house with the dining room and kitchen in one

A small cottage that is comfortable, attractive and inexpensive

A plain house that will last for generations and need but few repairs

A cottage of cement or stone that is conveniently arranged for a small family

Suburban house designed for a lot having wide frontage but little depth

A very simple and inexpensive cottage built of battened boards

A cement house that shows the decorative use of concrete as a framework

Cement house showing lavish use of half-timber as a decoration

Cement house showing craftsman idea of half-timber construction

A comfortable and convenient house for the suburbs or the country

A craftsman city house designed to accommodate two families

A craftsman farm house that is comfortable, homelike and beautiful

House with court, pergolas, outdoor living rooms and sleeping balconies

The craftsman's house: a practical application of our theories of home building

A small shingled house that shows many interesting structural features

A roomy, inviting farmhouse, designed for pleasant home life in the country

A simple, straightforward design from which many homes have been built

A craftsman house in which tower construction has been effectively used

A concrete cottage designed in the form of a Greek cross to admit more light

A bungalow of irregular form and unusually interesting construction

A roomy, homelike farmhouse for lovers of plain and wholesome country life

A plaster house upon which wood has been liberally used

A farmhouse designed with a long, unbroken roof line at the back

Two inexpensive but charming cottages for women who want their own homes

A log house that will serve either as a summer camp or a country home

A pleasant and homelike cottage designed for a small family

A country clubhouse that is built like a log cabin

A plain little cabin that would make a good summer home in the woods

A bungalow built around a courtyard facing the water

A rustic cabin that is meant for a weekend cottage or a vacation home

A bungalow designed for a mountain camp or summer home

A convenient bungalow with separate kitchen and open air dining room

A cottage planned with a special idea to economical heating

A cottage that comes within the limits of very moderate means

A country house that was originally planned for a mountain camp

Porches, pergolas and terraces: the charm of living out of doors

The effective use of cobblestones as a link between house and landscape

Beautiful garden gates: the charm that is always found in an interesting approach to an enclosure

The natural garden: some things that can be done when nature is followed instead of thwarted

What may be done with water and rocks in a little garden

Halls and stairways: their importance in the general scheme of a craftsman house

The living room: its many uses and the possibilities it has for comfort and beauty

The dining room as a center of hospitality and good cheer

A convenient and well-equipped kitchen that simplifies the housework

The treatment of wall spaces so that a room is in itself complete and satisfying

Floors that complete the decorative scheme of a room

An outline of furniture-making in this country: showing the place of craftsman furniture in the evolution of an American style

Willow chairs and settles which harmonize with the more severe and massive furniture made of oak

Craftsman metal work: designed and made according to the same principles that rule the furniture

The kind of fabrics and needlework that harmonize with and complete the craftsman decorative scheme

Cabinet work for home workers and students who wish to learn the fundamental principles of construction

Our native woods and the craftsman method of finishing them

The craftsman idea of the kind of home environment that would result from more natural standards of life and work


 

THE BUILDING OF FARM COTTAGES 4 CLASSIC 1852 FLOORPLANS

Altogether too little attention has been paid in our country to these most useful appendages to the farm, both in their construction and appearance.

Nothing adds more to the feeling of comfort, convenience, and home expression in the farm, than the snug-built laborers' cottage upon it.

The cottage also gives the farm an air of respectability and dignity. The laborer should, if not so sumptuously, be as comfortably housed and sheltered as his employer.

This is quite as much to the interest of such employer as it is beneficial to the health and happiness of the laborer.

I. A SIMPLE FARM COTTAGE DESIGN

This cottage may be built of wood, with a slight frame composed of sills and plates only, and planked up and down (vertically) and battened; or grooved and tongued. Or, it may be framed throughout with posts and studs, and covered with rough boards, and over these clapboards, and lathed and plastered inside.

Floorplans detail a room 10' x 12', a bedroom 8' x 8', a closet 5' x 8', a living room 18' x 12' a cozy size for a little cottage home.

II. A COZY FARM COTTAGE DESIGN

This cottage is a grade beyond the one just described, both in appearance and accommodation. It looks great outside and in and features a snug, half-open (or it may be closed, as convenience may require,) porch sheltering the front door.

Floorplans detail an 8' x 10' kitchen, 12' x 16' living room, 8' x 10' bedroom, 8' x 6' closet and attached washroom.

III. A FRENCH ROOF FARM COTTAGE DESIGN

This cottage is still in advance of No. II, in style and arrangement, and may accommodate not only the farm laborer or gardener, but will serve for a small farmer himself, or a village mechanic. It is in the French style of roof, and allied to the Italian in its brackets, and gables, and half-terraced front.

Floorplans detail a 18' x 16' washroom, 18' x 12' kitchen/living room, 9' x 6' bedroom, 8' x 10' bedroom, 12' x 8' hallway entrance.

IIII. A PEAKED ROOF FARM COTTAGE

This cottage is still in advance of the last, in its accommodation, and is suitable for the small farmer, or the more liberal cottager, who requires wider room, and ampler conveniences than are allowed by the hitherto described structures. It is a first class dwelling, of its kind, and, in its details and finish, may be adapted to a variety of occupation, while it will afford a sufficient amount of expenditure to gratify a liberal outlay, to him who chooses to indulge his taste in a moderate extent of decoration and embellishment.

Floorplans detail a 6' x 12' room, a 9' x 12' room, a 16' x 12' washroom, 12' x 13' kitchen, 10' x 13' bedroom, 17' x 13' living room and 17' x 7' entrance hall.

There are also additional sections regarding
COTTAGE OUTSIDE DECORATION and HOUSE AND COTTAGE FURNITURE

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HOW TO BUILD CEMENT HOUSES INFORMATION & 90 FLOOR PLANS

Cement structures are among the most inexpensive and beautiful that man builds. Their shapes and forms are nearly unlimited. Not to mention the energy efficiency of these structures.... both heating in the winter and cooling in the summer, a snap with cement construction.

This Document Originates From The Early 1900's & Contains Over 90 Different Floor Plans!

This ebook contains illustrated details of construction, standard specifications for cement, standard specifications for concrete blocks, general information concerning waterproofing, coloring, paving, reinforcing, foundations, walls, steps, sewer pipe, tile, chimneys, porches, floors as well as use of concrete on the farm.

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Introductory Notes -

Concret Block Architecture

Waterproofing

Cement Plaster Work

Monolithic Concrete Construction

Reinforced Concrete

Sidewalks, Pavements & Floors

Walls & Foundations

Steps & Stairs

Concrete On The Farm

Concrete Tanks & Cisterns

Roofs, Chimneys, Etc.

An Ideal Concrete

Perspectives & Floor Plans of Cement

Plaster & Concrete Block Houses

YOU'LL FIND OVER 90 DIFFERENT FLOOR PLANS!

 


 

THE ART OF BUILDING LOG CABINS WILDERNESS HOME PLANS

If you love the out-of-doors, this document was written for you, to crystalize and bring into reality that vague longing which you have felt for a log cabin in the wilderness. Somewhere, the trail has led you to the ideal spot in the deep forest, by the shores of a smiling lake or within sound of the murmuring waters.

With the plans and details outlined in this beautiful document from the turn of the 20th century, you can and will build a wonderful wilderness home of your own.

With several styles and floorplans to choose from, there's no better time than now to start!

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Making Plans

The Fireplace

The Ax and the Tree

Building the Cabin

The Roof and the Floor

The Cabin and its Environment

Inside the Cabin

What it will Cost
(In 1908 money, not 2007 money)

Some Hunting Cabins

A Few Plans:

WildWood

Crow's Nest

A Club House

The Block House

Idlewild

The Jolly Pines

The Antlers

 


 

PRINCIPLES OF CHURCH BUILDING DESCRIPTIONS & FLOORPLANS

The architectural design of churches around the world entice visitors to their splendor and worshipers flock to the oldest of church buildings. Their artistic expression and grandness is a testament to man's abilities.

This is a beautifully written and illustrated document that details the principles of architecture as they apply to church building.

You will find many illustrations and floorplans with details of the hows and whys of its construction.

This would make a great resource for anyone who is an aspiring architect or for the religious scholar as well!

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Chapter I - Introduction

Chapter II - The Country Chapel

Chapter III - The Village Church

Chapter IV - The City Church

Chapter V - The Chancel and Its Fittings

Chapter VI - Chapels, Baptiseries, and Sacrisities

Chapter VII - Decoration And Stained Glass

Chapter VIII - The Altar

Chapter IX - The Cathedral

Chapter X - The Artist Crafts

Chapter XI - A Retrospect

Chapter XII - Conclusion

 


 

BUILD SIMPLY ELEGANT FARMHOUSE 4 UNIQUE 1852 FLOORPLANS

The lover of country life who looks upon rural objects in the true spirit, and, surveys the cultivated portions of the United States, will be struck by the appearance and style of our farm houses and their out buildings. The legacy of the American farmer lives on in these rare 1852 farmhouse plans.

The plans and directions in this work are intended to be of the most practical kind; plain, substantial, and applicable, throughout, to the purposes intended, and such as are within the reach—each in their kind—of every farmer in our country. These plans are chiefly original; created in 1852 or before, they are not copied from any in the books, or from any structures with which the writer is familiar.

A SIMPLE FARM HOUSE DESIGN

We here present a farm house of the simplest and most unpretending kind, suitable for a farm of twenty, fifty, or an hundred acres. Buildings somewhat in this style are not unfrequently seen in the New England States, and in New York; and the plan is in fact suggested, although not copied, from some farm houses which we have known there, with improvements and additions of our own. This house may be built either of stone, brick, or wood. The style is rather rustic than otherwise, and intended to be altogether plain, yet agreeable in outward appearance, and of quite convenient arrangement.

Floorplans detail a 16' x 15' Sitting room, A 16' x 15' parlor, a 22' x 15' kitchen, Several small rooms measuring 9' x 6-8', Various rooms measuring between 16' x 10'14' (intended for farm related activities & storage), 3 sleeping chambers (bedrooms) measuring, 22' x 16', 9' x 14', & 18' x 15'.

A BUSINESS FARMHOUSE DESIGN

This is the plan of a house and out-buildings based chiefly on one which we built of wood some years since on a farm of our own, and which, in its occupation, has proved to be one of exceeding convenience to the purposes intended. As a farm business house, we have not known it excelled; nor in the ease and facility of doing up the house-work within it, do we know a better.

It has a subdued, quiet, unpretending look; yet will accommodate a family of a dozen workmen, besides the females engaged in the household work, with perfect convenience; or if occupied by a farmer with but his own family around him, ample room is afforded them for a most comfortable mode of life, and sufficient for the requirements of a farm of two, to three or four hundred acres.

The floorplans detail a parlor measuring 22' x 15', a Sitting room, 19' x 15', a Bedroom 10' x 13', a kitchen 24' x 16', a washroom 18' x 16', various other work related room measuring from 12- 22' x 10 - 15', three sleeping chambers (bedrooms) 22' x 15', 9' x 11', 12' x 11'.

A BRICK OR STONE FARMHOUSE DESIGN

We here present the reader with a substantial, plain, yet highly-respectable stone or brick farm house, of the second class, suitable for an estate of three, to five hundred acres, and accommodation for a family of a dozen or more persons. The style is mixed rural Gothic, Italian, and bracketed; yet in keeping with the character of the farm, and the farmer's standing and occupation.

The floorplans detail a 18' x 16' parlor, a 18' x 12' bedroom, A 18' x 12' drawing room, a 19' x 16' kitchen with an 8' x 9' dining room, a 16' x 10' washroom and several rooms from 12'- 20' x 10' - 12', eight sleeping chambers (bedrooms) 18' x 16', 24' x 12', 13' x 8', 15' x 12', 14' x 12', 12' x 8', 10' x 15', 16' x 13'.

A GAMBREL ROOF STYLE FARMHOUSE DESIGN

This is perhaps a more ambitious house than either of the preceding, although it may be adapted to a domain of the same extent and value. It is plain and unpretending in appearance; yet, in its ample finish, and deeply drawn, sheltering eaves, broad veranda, and spacious out-buildings, may give accommodation to a larger family indulging a more liberal style of living than the last.

The floorplans detail several utility type rooms measuring from 12' - 18' x 18' - 20', a washroom 14' x 18', a dining room 8' x 14', a pantry room 8' x 14', a kitchen 22' x 16', a bedroom 16' x 14', a sitting room 18' x 16', a parlor 18' x 18', seven sleeping chambers (bedrooms) 18' x 14', 16' x 12', 18'x 18', 9' x 13', 16' x 9', 18' x 16', 18' x 14'.

Also includes a section about planting trees and shrubbery around the property.


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